The People We Don’t Meet on Vacation
The horror genre is full of lessons: don’t leave your doors unlocked, check under your bed, don’t descend into a dark, mysterious basement. For some with anxiety, like me, it offers a guidebook to staying out of danger. My own anxiety stretches into traveling because I watched too many vacation horror movies.
Your ‘Instant Cult Classic’ is Kitschy
Film & TV Editor for girlblog! Avery Jay gives their dissection into what makes a modern cult classic in an era of short attention spans and social media.
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Why Does British Summertime Make Us All Feral?
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The People We Don't Meet On Vacation
Avery Jay, girlblog's Film & TV Editor, picks our some perfect recommendations for your flight to your next vacation destination. Muy bien!
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Four Favourites: June
This month’s Four Favourites from girlblog! Editor-in-Chief Rachel Gambling cover ground from recently released horror and thriller titles Die My Love, Backrooms, and Faces of Death to Coralie Fargeat’s feature debut Revenge.
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CanConnections: A History of Canadian Media
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girlblog! Recommends: Morally Reprehensible Queers
girlblog! Editor-in-Chief Rachel Gambling dishes the dirty, filthy, film recommendations for Pride Month: Morally Reprehensible Queers. Including cult classics like Showgirls (1995), D.E.B.S. (2004), and Shiva Baby (2020).
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Three Models On Visibility and Identity in the Age of the Algorithm
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Jungian Archetypes and Womanhood in Horror Cinema
Writer, poet, and witch Reia Wood uses Caroline Myss’ Archetype Cards, to decipher the feminine archetypes presented in horror films: Maiden, Mother, Lover, and Crone.
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Drag Artistry as Rebellion
Filmmaker and writer Jenny Smart details the essential characteristics of drag: performance, parody, and rebellion, and why this makes it a weapon against oppressive societal structures.
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What's Up With Kimiko's Dialogue in The Boys?
Rachel Gambling, Editor-in-Chief of girlblog!, noticed a lot of discourse around the newly introduced dialogue for one of The Boys' beloved characters, Kimiko Miyashiro. The opinions were mostly negative, but The Boys has always had schoolboy, cringeworthy dialogue -- so why were reactions different this time around?
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