Jungian Archetypes and Womanhood in Horror Cinema
I can’t remember a time where I didn’t fear my body. From a young age, I was taught to be hyperconscious of how I positioned myself physically. I made sure my legs were always pressed together tight or crossed when seated. I tested the appropriateness of my outfits by raising my arms to see if my shirts would expose my belly, or bending over to check if my undergarments would remain fully covered by my dress. By the time I got my period, I noticed my father would wince when I needed him to pick up tampons at the store, and he would clam up if I told him I had cramps. I was scared of being overexposed: of the length of my skirt being the reason I’d get a write up at school. I was scared of being seen as disgusting: of having to put my bloodstained bedsheets in the hamper for my father to wash.
Your ‘Instant Cult Classic’ is Kitschy
Film & TV Editor for girlblog! Avery Jay gives their dissection into what makes a modern cult classic in an era of short attention spans and social media.
Four Favourites: May
Vroom vroom! girlblog’s four favourites for May, picked by Editor-in-Chief Rachel Gambling, range from a film about kitty cats to two about public shags.
Euphoria Dies with Our Teenage Dreams
Writer Evianne Suen gives a personal take on the downfall of Euphoria in its third season, and how it coincides with the end of our teenage dreams.
girlblog! Recommends: Gritty Girlhood Coming-of-Age Films
Ah, the living nightmare of girlhood. What films truly capture its essence? girlblog! Editor-in-Chief Rachel Gambling shares her recommendations for gritty and girly coming-of-age.
Four Favourites: April
girlblog! Editor-in-Chief Rachel Gambling gives bitesize reviews for her four favourite watches in April 2026: Friendship (2024), Candyman (2021), The Terminator (1984), and Prey (2022).
National Identity Formation in Czech Christmas Fairytale Films
Over an early Christmas dinner with friends in a cozy flat in West London, we discussed traditions we would be participating in upon our returns to home. Whether that would include Christmas barbecues for those heading to the southern hemisphere, games of luck in the pursuit of marzipan for those heading further north, or simply dishes that would have to grace everyone’s dinner tables (for me, scalloped potatoes and bond films are a must for the festive season). One tradition however, struck me as particularly unique. A Czech friend explained the importance of one film in the crafting of a christmas spirit Tři oříšky pro Popelku, in English Three Wishes for Cinderella.
The Moment is Over Before It Gets Started
There's something missing from The Moment. The premise, developed from Charli xcx's very own noggin, is postured as a music industry satire. Shallow corporate partnerships and detrimental miscommunications ultimately orchestrate the downfall of Brat Summer as the fictional Charli folds under pressure from her label, her peers, and the overbearing film director Johannes Godwin (Alexander Skarsgård) despite having already established a distinct tone for her breakout album.
Send Help: Is Woke Back? Or Are We Doomed to Repeat the Cycle?
Sam Raimi's return to an original screenplay sits somewhere between Ready or Not (2019) and Blink Twice (2024) on the elevated horror lunch table. Troupes of the elevated subgenre -- most notably the social commentary and the slasher smile -- are sewn together with Raimi's recognisable comic book style cinematography to produce something entertaining, enjoyable, but a little overdone.
Gen V Season 2 Redeems The Boys Season 4
The Boys season 4 almost put me off watching Gen V season 2 entirely. Everyone's aware that The Boys toes the line with dark humour. There's something incredibly watchable about the weird, kinky superhero shags that are sprayed across the series.
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